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International
HarMA Seminar Event


Liszt Ferenc Academy of Music
Budapest

HarMA 2021
28-30 APRIL 2021

STAY SAFE !

PRE-REGISTRATION

HarMA© Seminar Event

Landscape of Teaching Practices and Pedagogical Innovations
in Music Theory fields
-
Higher Music Education Institutions



Created and leading by Salvatore Gioveni (Conservatoire royal de Bruxelles), the goal of the HarMA© - Harmony and Music Analysis - International Seminar Event is to bring together the Music Theory faculties (Harmony,  Music Analysis ...) in one place to speak about their Home Institutions' organization and structure and especially to share Educational and Pedagogical Practices experiences in these fields. A single-place to share their experciences, teaching methods and innovative methodologies.

Due to the COVID - 19 pandemic and the transition as a new HarMA version, we have decided to entirely organize the Seminar ONLINE coming from the Liszt Ferenc Academy of Music in Budapest. Topics will focus on the internationalization and digitalization tools, modernization and strenght the Music Theory courses in HMEIs.

 

Three days of sharing experiences around these subjects, as well as lectures, training sessions, roundtable discussions and of course sightseeing city tours, museum visits in Budapest !

The three days are supported by your Home Insititution through the Erasmus+ Training Mobility Program including a warm welcom by the Conservatoire royal de Bruxelles and Ferenc Liszt Academy of Music !


The HarMA© Project is supported by the Conservatoire royal de Bruxelles, the Liszt Ferenc Academy of Music in Budapest, the Belgian branch of the European Agency for Education and Formation (AEF), the Belgian Academy for Research and High Education (ARES), the European Association of Conservatories (AEC), the Fédération Wallonie-Bruxelles de Belgique and the Fédération Wallonie-Bruxelles International (WBI).

Salvatore Gioveni, President and Founder of the HarMA© Seminar Event and
Faculty in Conservatoire royal de Bruxelles.

>>> MANDATORY PRE-REGISTRATION HERE <<<

15+

Lectures, Parallel Sessions, Training Sessions

More than 15 Topic Specific Talks about Teaching and Pedagogical's Practices and Structure on Music Theory fields in Conservatories, 3 Training Sessions, Parallel Sessions, Rountable discussions, ...

88+

Participants

+80 Participants, +40 conservatories, Head of Music Theory Departments and Music Theory Faculties will participate from different European countries and from accross the Atlantic.

3+

The city and the F. Liszt Academy of Music

All the Participants will be invited to visit the most famous places in Budapest and will enjoy catered lunches in the Historical Center of the city.

PROGRAMME


Dear Participants, the complete programme of the Second HarMA Edition 2021 is now available ! 


Three days will be organized around three training sessions, topic specific talks, comparative session, free spaces and a closing comments.
We have organized museums visits, catered break coffees, three lunches together and the HarMA closing dinner.

All done to make your stay as pleasant as possible.

Venues of the HarMA Seminar
Location #1
Liszt Ferenc Academy of Music in Budapest
Welcome and Seminar - 1061 Budapest, Liszt Ferenc tér 8 - MAP
HarMA 2020
Registration, Welcome, Conferences, training Sessions, coffee Break, Parallel sessions. All the HarMA Seminar is here !
Location #2
Liszt Ferenc Memorial Museum and Research Centre
Liszt Ferenc Museum
Day 1 and Day 3 -
1064 Budapest, VI. ker. Vörösmarty u. 35 - MAP
Cutlural Activities
Mandatory registration at the welcome desk (on Day 1 and Day 2).
Venues of the HarMA Seminar
Location #1
Conservatoire royal de Bruxelles
Welcome and Seminar - 17, rue du Chêne - 1000 Bruxelles - MAP
Activities
Registration, Welcome, Conferences, training Sessions, coffee Break, closing concert. All the Seminar is here !
Location #2
Conservatoire royal de Bruxelles
Main Building - 30, rue de la Régence - 1000 Bruxelles - MAP
Activities
Administration, International Office, Concert Hall, Library visit, ...
Location #3
Library of the Conservatoire royal de Bruxelles
Main Building - 30, rue de la Régence - 1000 Bruxelles - MAP
Activity
Visit of the Library
Location #4
Manneken-Pis Museum
Museum Visit - 19, rue du Chêne - 1000 Bruxelles - MAP
Activity
Visit of the most famous boy of Brussels: Manneken Pis !
Website of the museum: click here
Location #5
Restaurant Greenwich
Restaurant - 7, rue des Chartreux - 1000 Bruxelles - MAP
HarMA Dinner - Day 2, 8PM
HarMA Seminar Dinner at the historical restaurant Greenwich (mandatory Reservation).
Website of the restaurant: click here
Location #6
Auditorium "Joseph Jongen" of the Conservatoire royal de Bruxelles
Annexe Building - 17, rue du Chêne - 1000 Bruxelles - MAP
Activity
Closing Concert, Day 3, 8 PM
April 28, 2021
09:00am - 09:30am
Online Welcome and Registration
Átrium - Liszt Ferenc Academy of Music in Budapest
Online Welcome and Registration for all the Participants.
SESSION 1
09:30am - 10:00am
OPENING ADDRESS
Chair: Salvatore GIOVENI

Dr. Andrea VIGH
Rector, Liszt Ferenc Academy of Music in Budapest
Dr. Miklós MOHAY
Head of Theory Department, Liszt Ferenc Academy of Music in Budapest
Salvatore GIOVENI
President of the HarMA Seminar, IRC, Conservatoire royal de Bruxelles
Sir Georg Solti - Chamber Hall
Introduction to the HarMA Seminar Event.
10:00am - 10:30am
Welcome Concert
Ludwig van Beethoven (1770-1827)
Piano Trio in E-flat major, Op. 1, No. 1
Sir Georg Solti - Chamber Hall
Csenge Dósa - violin, Hagiwara Riku - cello, Yui Yamane - piano
10:30am - 11:00am
NEW PROJECT HarMA+ (2020-2023)
Salvatore GIOVENI -Conservatoire royal de Bruxelles, Belgium
Professor of Music Analysis and Harmony, International Relations Coordinator
@online
Presentation of the new HarMA+ Strategic Partnerships Erasmus+ Project (KA 203)
COFFEE BREAK
11:00am - 11:45am
Coffee Break and Networking
Sponsored
@Home
SESSION 2 -
New Curriculum Projects

11:45am - 12:15am
TOPIC SPECIFIC TALK
Chair: Thomas SOLAK -Royal Danish Academy of Music, Copenhague

Fabio FERRUCCI
Conservatorio di Musica “Arrigo Boito” di Parma, Italy
Students’ counselor - Didactic supervisor
Music theory, rhythm and ear training referent professor
Head of theoretical, historical and musicological subjects Department
@online
Old schools and new challenges: Towards a European Eartraining network. The “Sentiamoci a Parma” experience.
12:15am - 12:45am
Topic Specific Talk
Minna HOLKKOLA -University of the Arts Helsinki, Finland
Head of the Department of Composition and Music Theory

Lotta ILOMÄKI -University of the Arts Helsinki, Finland
Lecturer, Department of Composition and Music Theory
@online
Learning for future musicianship - Aural skills and music theory teachers’ experiences of the new curriculum at the Sibelius Academy, Finland
12:45am - 13:15pm
Topic Specific Talk
Evan FEIN -The Juilliard School, USA
Instructor of Ear Training and Composition (Evening and Pre-College Divisions)
@online
Inner Hearing: A New Sight Singing Approach
LUNCH BREAK
13:15pm - 14:45pm
Lunch Break
@Home


Lunch Break
SESSION 3 -
Issues occured in MT fields

14:45pm - 15:15pm
TOPIC SPECIFIC TALK
Chair: Margaux SLADDEN -Conservatoire royal de Bruxelles

Antonio GRANDE -Conservatorio di Musica "G. Verdi", Como, Italy
Theory of Harmony and Analysis Professor
@online
Layers of sense in music. Ideas for a complex approach to Analysis.
15:15pm - 15:45pm
Topic Specific Talk
Olguța Carmen LUPU -National University of Music Bucharest, Romania
Professor of Music Theory Music and Dean of the Faculty of Composition, Musicology and Music Pedagogy
@online
Strategies for improving musical memory.
15:45pm - 16:15pm
Topic Specific Talk
Stefano PROCACCIOLI -Conservatorio statale di Musica "Jacopo Tomadini", Udine, Italy
Professor of Music Analysis and Harmony
@online
Classical music theory teaching and today's changing cultural landscape: a challenge?
END OF DAY 1
16:15pm

April 29, 2021
09:00am - 09:30am
Online Registration
Sponsored
@Home
SESSION 1
09:30am - 11:00am
Training Session
Chair: Olivia WAHNON DE OLIVEIRA - Conservatoire royal de Bruxelles.
László Norbert NEMES - Director of Kodály Institute
Sir Georg Solti - Chamber Hall
Singing-based music theory and ear-training for conservatory students according to the Kodály concept.
11:00am - 11:30am
Coffee Break and Networking
Sponsored
@Home
PARALLEL SESSIONS 2 -
Theoretical Subjects

11:30am - 12:00am
Topic Specific Talk A-1
Nikola KOMATOVIĆ
Independent researcher (Member of SDMT and GMTH)
@online
A New Dawn for Franck? All the features of César Franck's harmonic language.
Topic Specific Talk A-2
Aare TOOL - Estonian Academy of Music and Theatre
Lecturer of music theory
@online
Neo-Riemannian Perspectives on Late 19th- and Early 20th-Century Music
12:00am-12:30am
Topic Specific Talk B-1
Máté BALOGH - Franz Liszt Academy of Music, Budapest
Assistant-professor at the Music Theory Department
@online
Non-Classical Harmony Processes in Schubert’s C-major Quintet (D.956)
Topic Specific Talk B-2
Iyad MOHAMMAD -Yarmouk university, Irbid, Jordan
Assistant professor of music analysis, counterpoint, harmony and composition
@online
Music Analysis as a Description of Eventing in Time.
Topic Specific Talk C-1
Thomas SOLAK - Royal Danish Academy of Music, Copenhague
Associate Professor in music theory, Head of educational technology
@online
Experience-based analysis – Functional harmony brought back to its origin.
LUNCH BREAK
13:00pm - 14:30pm
Lunch Break
@Home

@Home
SESSION 3
14:30pm - 16:00pm
TRAINING SESSION
Chair: Olivia WAHNON DE OLIVEIRA

László STACHÓ -Liszt Academy of Music, Budapest and University of Szeged, Béla Bartók Faculty of Arts,
Department of Teacher Training, Research Fellow
@online
Feeling the Musical Structure in Real Time: Innovative Methods in the Music Theory Classroom
16:00pm - 16:30pm
Coffee Break and Networking
Sponsored
@Home
SESSION 4 -
Teaching Practices

16:30pm - 17:00pm
TOPIC SPECIFIC TALKS
Chair: Margaux SLADDEN

Simonetta SARGENTI -Conservatorio Guido Cantelli di Novara, Italy
Coordinator of the Departement of Composition, History of Music and Didactic
Professor of Analysis, History of music and Electroacoustic music analysis
@online
Teaching and practice analysis of electroacoustic music. Sound analysis, gesture and communication of emotions.
END OF DAY 2
17:00pm

April 30, 2021
09:00am - 09:30am
SPECIAL INTEREST GROUPS
Sponsored
@Home
Participants are invited to share their experiences, methods and innovative teaching practices and projects during this time.
SESSION 1
09:30am - 11:00am
Training Session
Chair: Thomas SOLAK - Royal Danish Academy of Music, Copenhague
Alexander STANKOVSKI - Anton Bruckner Privatuniversität, Linz
Music Theory faculty
@Home
Avantgarde and tradition: a contradiction?
11:00am - 11:30am
Coffee Break and Networking
Sponsored
@Home
SESSION 2 -
Digitalization and
Innovative teaching methods.

11:30am - 12:00am
TOPIC SPECIFIC TALK
Chair: Edwin CLAPUYT -Conservatoire royal de Bruxelles

Nataša CRNJANSKI -Academy of Arts - University of Novi Sad, Serbia
Professor of Music analysis, Music semiotics and Methodology of teaching theoretical subjects
@online
How to Teach "Teaching"? Challenges of Higher Music Educational System
12:00am - 12:30am
Topic Specific Talk
Hans AERTS -Hochschule für Musik Freiburg, Germany
Head of the Music Theory Departments

Konrad GEORGI -Hochschule für Musik Freiburg, Germany
Professor of Music Theory and Ear Training
Historically Informed Music Theory and Digital Learning.
12:30am - 13:00pm
Topic Specific Talk
Fabio DE SANCTIS DE BENEDICTIS -Istituto Superiore di Studi Musicali "Pietro Mascagni", Livorno, Italy
Professor of Music Analysis and of Fundamentals of Composition
Professor of live electronics and Elements of Compositions for Didactics
@online
Open Music as heuristic tool: the case of Fundamental of Composition course in ISSM “Pietro Mascagni” in Livorno, Italy
LUNCH BREAK
13:00pm - 14:30pm
Lunch Break
@Home

ONLINE
SESSION 3
14:30pm - 15:30pm
CLOSING COMMENTS
Chair: Salvatore GIOVENI - Conservatoire royal de Bruxelles
ONLINE
Closing comments and debate about the second edition of HarMA.
END OF THE HArMA Seminar
15:30pm
ANNOUNCEMENT OF THE NEXT HARMA SEMINAR !
List of Participants (2020)
Austria
Anton Bruckner Privatuniversität, Linz
Matthias GIESEN
Music Theory faculty
Alexander STANKOVSKI
Music Theory faculty
Belgium
Conservatoire royal de Bruxelles
Edwin CLAPUYT
Music Analysis faculty
Computer Aided Music Professor

Salvatore GIOVENI
Founder and President of the HarMA Seminar Event
Music Theory faculty
International Relations Coordinator

Margaux SLADDEN
Music History and Interpration Class faculty
Olivia WAHNON DE OLIVEIRA
Head Librarian
Encyclopedia of Music faculty
Organizational Committee
Belgium
Koninklijk Conservatorium Brussels
Jurgen DE PILLECYN
Head of the Composition Departement and Composition faculty
Jan D'HAENE
International Relations Coordinator, Professor of Music Writing
Maarten VANDENBEMDEN
Harmony & Music Analysis faculty and Harmony on keyboard for guitarists
AUDIENCE
Czech Republic
University of Ostrava | Faculty of Fine Arts and Music
Martin ČURDA
Vice-dean of studies and lecturer in music theory and history of music
AUDIENCE
Croatia
University of Zagreb, Academy of Music, Zagreb
Ante KNESAUREK
Professor of Music Theory, Composition and Keyboard Harmony
Danemark
Royal Danish Academy of Music, Copenhague
Thomas SOLAK
Associate Professor, Music Theory
Head of Educational Technology
Estonia
Estonian Academy of Music and Theatre
Kerri KOTTA
Music Analysis faculty
Aare TOOL
Lecturer of music theory
AUDIENCE
Estonia
University of Tartu | Viljandi Culture Academy
Themuri SULAMANIDZE
Music Theory and Piano Accompaniment faculty
Finland
University of the Arts Helsinki - Sibelius Academy
Minna HOLKKOLA
Head of Department: Composition and Music Theory
Lotta ILOMÄKI
Lecturer, Faculty of Composition and Music Theory
France
CNSMD - Paris
Haute école de musique de Genève
Rémy CAMPOS
Music analysis faculty
PLENARY SESSION #1 - SPEAKER
Germany
Hochschule für Musik Freiburg
Hans AERTS
Head of the Music Theory Departments
Konrad GEORGI
Professor of Music Theory and Ear Training
Germany
Hochschule für Musik Würzburg
Markus SOTIRIANOS
Speaker of Music Theory and Composition Department, Full time faculty
Hungary
Kodály Institute
Dr. László Norbert NEMES
Director of Kodály Institute
SPEAKER - Training Session
Hungary
Ferenc Liszt Academy of Music in Budapest
Máté BALOGH
Assistant-professor of Music Theory at the F. L. Academy and at the Kodály Institute
Balázs HORVÁTH
Assistant professor in Music Theory Departments
Nóra KERESZTES
Associate professor in Music Theory Departments
Lecturer PhD at the Department of Theoretical Music Study
Katalin KOMLÓS
Professor Emerita
Miklós MOHAY
Head of Music Department
Boglarka TERRAY
Associate professor of Ear Training and Music Theory
Organizational Committe - Boglarka TERRAY
Hungary
Ferenc Liszt Academy of Music in Budapest | University of Szeged – Béla Bartók Faculty of Arts
László STACHÓ
Research fellow, Department of Teacher Training (Liszt Academy)
Ireland
Dundalk Institute of Technology
Adèle COMMINS
Head of Department of Creative Arts, Media and Music
AUDIENCE
Italy
Conservatorio "Luigi Cherubini" di Firenze
Raffaelle MOLINARI
Professor of Music Analysis and Harmony
Italy
Conservatorio di Musica Arrigo Boito, Parma
Fabio FERRUCCI
Didactic supervisor and Students' counsellor
Head of Theoretical, historical and musicological subjects department
Ear training faculty
Italy
Conservatorio di musica “Alfredo Casella” - L'Aquila
Simone PALMIERI
Harmony and Music analysis faculty
AUDIENCE
Italy
Conservatorio di Musica “Giuseppe Martucci”, Salerno
Marina MEZZINA
Head of Music Theory Departments and Music Theory faculty
Fabrizio ELVETICO
Music Analysis faculty
Catello GALLOTTI
Theory of Harmony and Music Analysis faculty
Italy
Conservatorio di Musica “Giacomo Puccini”, La Spezia
Fabio LOMBARDO
Choir Conducting faculty
AUDIENCE
Italy
Istituto Superiore di Studi Musicali di Cuneo
Giuseppe GIUSTA
Piano accompaniment, Conductor faculty and IRC
Italy
Istituto Superiore di Studi Musicali "Pietro Mascagni", Livorno
Fabio DE SANCTIS DE BENEDICTIS
Professor of Music Analysis and of Fundamentals of Composition
Professor of live electronics and Elements of Compositions for Didactics
Gabriele MICHELI
Choir Conducting faculty
Italy
Conservatorio "N. Piccinni", Bari
Andrea DI PAOLO
Professor of Harmony, Music Analysis and Fundamentals of Composition
Lilia DI MARCO
Head of Theory of Harmony and Music Analysis
AUDIENCE
Italy
Conservatorio “G. Verdi", Como
Antonio GRANDE
Theory of Harmony and Analysis Professor
Italy
Conservatorio di Musica Giuseppe Verdi, Milano
Marco LASAGNA
Composition and Music Theory faculty
Italy
Civica Scuola di Musica "Claudio Abbado" - Fondazione Milano
Alberto MAURIELLO
Professor of Music Theory and Music Analysis
Italy
Istituto Superiore di Studi Musicali "Luigi Boccherini", Lucca
Massimo BIASIONI
Professor of Harmony, Analysis, Acoustic and IRC
Italy
Conservatorio Guido Cantelli, Novara
Simonetta SARGENTI
Coordinator of the Departement of Composition, History of Music and Didactic
Professor of Analysis, History of music and Electroacoustic music analysis
AUDIENCE
Italy
Conservatorio di Musica "Antonio Scontrino", Trapani
Marco STASSI
Professor of Harmony and Music Analysis
AUDIENCE
Italy
Conservatorio statale di Musica "Jacopo Tomadini", Udine
Stefano PROCACCIOLI
Professor of Music Analysis and Harmony
Italy
Conservatorio di Musica Benedetto Marcello di Venezia
Daniela DE MARCHI
Theory of Harmony and Music Analysis faculty
Jordan
Yarmouk University, Irbid
Iyad MOHAMMAD
Assistant professor of music analysis, counterpoint, harmony and composition
Latvia
Jazeps Vitols Latvian Academy of Music, Riga
Ieva ROZENBAHA
Head of Musicology Department
AUDIENCE
Grand Duchy of Luxembourg
Conservatoire de la Ville de Luxembourg
Roland KABER
Assistant Head of Department of Music Theory and Harmony/Counterpoint faculty
Ivan BOUMANS
Music Theory faculty (Harmony, Orchestration, Score Reading)
Netherlands
Codarts Rotterdam
Jan JONGBLOED
Music Theory, Solfeggio and Ear Training faculty
Rijnhard BOKELMANN
Head of the Classical music theory Department - Classical music theory faculty
Netherlands
Royal Conservatoire The Hague
Suzanne KONINGS
Head of Music Theory
Ida VUJOVIC
Music Theory faculty
AUDIENCE
Poland
Akademia Muzyczna im. Stanisława Moniuszki w Gdańsku, Poland
Renata SKUPIN
Dean of the Faculty of Conducting, Composition and Music Theory and Dr hab., prof. AM, Professor of Music Analysis, Contemporary Methods of Music Analysis, Contemporary Compositional Techniques
Elzbieta FROLOWICZ
Professor of Music Analysis and Harmony
AUDIENCE
Poland
The Karol Lipiński Academy of Music in Wrocław
Urszula KOZA
Ear Training and Harmony faculty
Katarzyna BARTOS
Assistant at Karol Lipiński Music Academy, Faculty of Composition, Conducting, Music Theory and Music Therapy
AUDIENCE
Romania
National University of Arts "George Enescu", Iași
Luminița DUȚICĂ
Prof. Ph.D.: Advanced Theory of Music; Theory, Solfeggio, Musical Dictation; Systems for Musical Ear Training; Contemporary Music Languages
Consuela Marcella ȚAGA-RADU
Lecturer Ph. D., Head of the course Opera - Musical Theatre, course Choral ensemble of Opera
SPEAKER - Prof. DUTICA
Romania
National University of Music Bucharest
Olguța LUPU
Professor of Music Theory Music and Dean of the Faculty of Composition, Musicology and Music Pedagogy
AUDIENCE
Serbia
Academy of Arts - University of Novi Sad
Nataša CRNJANSKI
Professor of Music analysis, Music semiotics and Methodology of teaching theoretical subjects
Serbia
Independent (Member of SDMT and GMTH)
Nikola KOMATOVIĆ
Researcher
Spain
Conservatorio Superior de Música "Massotti Littel, Murcia
Brian Santiago MARTÍNEZ RODRÍGUEZ
Music Technology and Computer-assisted Composition faculty
Francisco Javier PÉREZ ALBALADEJO
Heaf of the Composition and Music Theory Departments
Spain
Conservatorio Superior de Música de Vigo
Jacobo GASPAR GRANDAL
Music analysis faculty
Diego David CUEVAS SÁNCHEZ
Composition, Harmony and Music analysis faculty
Sweden
Royal College of Music in Stockholm
Anders SJÖGREN
Senior Lecturer in Music Theory
Director of studies
AUDIENCE
Sweden
Karlstad University | Faculty of Arts and Social Sciences
Mats GUSTAVII
Course leader in Music Theory and Composition
Swiss
Haute école des arts de Berne
Mark KENNEL
Music Theory and improvisation faculty
AUDIENCE
U.S.A.
The Juilliard School | Faculty of Music
Evan FEIN
Instructor of Ear Training and Composition (Evening and Pre-College Divisions)

Speakers


Here, will be publicated our Professors Participants with a short Biography.

  • Portfolio Item

    Salvatore Gioveni

    Founder of HarMA Seminar Event
    Conservatoire royal de Bruxelles
    Founder of the HArMA Project
    Organizational Committee

    Portfolio Item

    Olivia Wahnon de Oliveira

    Organizational Committee
    Conservatoire royal de Bruxelles
    Head Librarian

    Portfolio Item

    Edwin Clapuyt

    Organizational Commitee
    Conservatoire royal de Bruxelles
    Music Analysis Professor

  • Portfolio Item

    Fabio FERRUCCI

    Conservatorio di Musica “A. Boito” di Parma, Italy
    DAY 1 - SESSION 2 - Topic Specific Talk

    Portfolio Item

    Minna HOLKKOLA

    University of the Arts Helsinki, Finland
    DAY 1 - SESSION 2 - Topic Specific Talk

    Portfolio Item

    Lotta ILOMÄKI

    University of the Arts Helsinki, Finland
    DAY 1- SESSION 2 - Topic Specific Talk

  • Portfolio Item

    Margaux SLADDEN

    Conservatoire royal de Bruxelles, Belgium
    Organizational Committee

    Portfolio Item

    Olguța Carmen LUPU

    National University of Music Bucharest, Romania
    DAY 1 - SESSION 3 - Topic Specific Talk

    Portfolio Item

    Stefano PROCACCIOLI

    Conservatorio statale di Musica "J. Tomadini", Udine, Italy
    DAY 1- SESSION 3 - Topic Specific Talk

  • Portfolio Item

    Antonio GRANDE

    Conservatorio “G. Verdi", Como
    Speaker - Topic Specific Talk
    DAY 1 - SESSION 2 - Topic Specific Talk

    Portfolio Item

    Nikola KOMATOVIĆ

    Independent researcher (Member of SDMT and GMTH)
    DAY 2- SESSION 2 - Topic Specific Talk A1

  • Portfolio Item

    László Norbert NEMES

    Director of Kodály Institute, Budapest
    DAY 2 - Training Session #2

    Portfolio Item

    Aare TOOL

    Estonian Academy of Music and Theatre
    DAY 2 - SESSION 2 - Topic Specific Talk A2

    Portfolio Item

    Máté BALOGH

    Franz Liszt Academy of Music, Budapest
    DAY 2 - SESSION Speaker - Topic Specific Talk

  • Portfolio Item

    Iyad MOHAMMAD

    Yarmouk university, Irbid, Jordan
    DAY 2 - SESSION 2 - Speaker - Topic Specific Talk B2

    Portfolio Item

    Matthias GIESEN

    Anton Bruckner Privatuniversität, Linz
    DAY 2 - SESSION 2 - Topic Specific Talk C1

    Portfolio Item

    László STACHÓ

    Liszt Academy of Music, Budapest - B. Bartók Faculty of Arts
    DAY 2 TRAINING SESSION #2

  • Portfolio Item

    Simonetta SARGENTI

    Conservatorio G. Cantelli di Novara, Italy
    DAY 2 - SESSION 4 - Topic Specific Talk

    Portfolio Item

    Alexander STANKOVSKI

    Anton Bruckner Privatuniversität, Linz
    DAY 3 - SESSION 1 - Training Session #3

    Portfolio Item

    Nataša CRNJANSKI

    Academy of Arts - University of Novi Sad, Serbia
    DAY 3 - SESSION 2 - Topic Specific Talk

    Portfolio Item

    Hans AERTS

    Hochschule für Musik Freiburg, Germany
    DAY 3 - SESSION 2 - Topic Specific Talk

    Portfolio Item

    Konrad GEORGI

    Hochschule für Musik Freiburg, Germany
    DAY 3 - SESSION 2 - Topic Specific Talk

    Portfolio Item

    Fabio DE SANCTIS DE BENEDICTIS

    Istituto Superiore di Studi Musicali di Livorno, Italy
    DAY 3 - SESSION 2 - Topic Specific Talk

    Portfolio Item

    Evan FEIN

    The Juilliard School, U.S.A.
    DAY 1 - SESSION 2 - Topic Specific Talk

    Portfolio Item

    Ante KNESAUREK

    University of Zagreb Music Academy, Croatia
    DAY 2 - SESSION 4 - Topic Specific Talk

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Our Sponsors


Sincere thanks were expressed to the event's sponsors for helping us in this project !

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Contact


If you have any further questions, we will be delighted to answer them.

Address

HarMA Seminar Event
Salvatore Gioveni, HarMA President and Founder

Conservatoire royal de Bruxelles
30, rue de la Régence
1000 Bruxelles
Belgium

Phone

+322 511 04 27